Category Archives: Trailers

Movie Trailers – old and new

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For mine, one of the more interesting trends in films over the decades isn’t anything to do with the films themselves, but the trailers used to advertise and promote the film and how they’ve changed over the years.

The first era of the movie trailer lasted roughly from the 1930s to the mid-1960s where virtually all the ones I’ve seen seemed to be done in the tone one imagined how a salesman at an old-time carnival would’ve tried to lure people into a freak show  – full of breathless energy and bombast, lots of emphasis on the stars, lots of adjectives in big font appearing, not much conveyance of the tone (let alone plot) of the film (this trailer for ‘Rebel Without a Cause’ being a good example). As a general rule, these types of trailers haven’t aged well and to be honest, it’s hard to envisage how people were enticed by such lured trailers back then.

As reflective in the change in culture and increasing experimentation of mainstream Hollywood in that era, in the 1970s there were examples of movie trailers that were highly unusual. Take for example this trailer for the 1972 film ‘What’s Up Doc?’ which hardly shows any of the film and relies mainly on director Peter Bogdanovich and his stars goofing around on the set. It’s inconceivable to think of a major film being given such a trailer today.

The main change that one notices in movie trailers is that – while many of them are still quite conventional – they are done in a more mature manner and treat the audience like adults, whereas 1930s-1960s trailers treated the audience like kids.

Then, from the 1980s to today we have seen the trailer become taken far more seriously. They are far more slicker than trailers of previous eras are and often give a general idea of the plot (too much in fact it’s been argued) and tone of the film better. Clearly the studios take them far more seriously than they used to.

But despite that, I find watching trailers an often tedious experience now (especially for blockbuster mainstream films) as they seem all done in the same way, even down to the same rhythms. They usually start off slowly, then get more and more frenetic and hyped up (with the obligatory bombastic background music), reaching a crescendo by the end (and the obligatory one-liner from one of the film’s stars) (the Captain America trailer is a good example).

For all the technical expertise that is now on display in movie trailers, they feel so heavy-handed and obvious it feels like a hyped-up version of what we used to see in the 1950s and we’re being treated like children again. Hopefully there’s a change in mindset and some inventiveness comes back into movie trailers in the near future.

But then again, it’s all a subjective thing. In many ways this movie trailer  has all the aspects of a movie trailer I dislike but  I absolutely love it.

Is there any movie trailers – good or bad – that stand out for you?

A few new trailers

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The screenplay for Source Code is rightly lauded as one of the more original of the past few years, but even though I’ve read it and know the story, I found the teaser trailer slightly confusing. It looks visually appealing, and Michelle Monaghan is always worth watching, but there’s some worry that they might have made an already complicated story muddled. There was a rewrite by Billy Ray apparently, but I’m putting my trust in Moon director Duncan Jones that this will turn out as good or better than that film.

I read Michael Connelly’s The Lincoln Lawyer on a trip years ago and enjoyed it. A well written but standard crime novel seems to have been made into a well made but standard crime film, judging by this trailer. Matthew McConaughey stars as the slightly amoral lawyer and Ryan Philippe his client. Both are good actors that got pigeonholed as pretty boys for a long time, but they might be slowly climbing out of that hole.

Found this trailer for Green Hornet better than the previous one. It still looks like a superficial sfx bonanza, but we see more of the interaction between Rogen’s character and Kato, and they look to have more personality and interplay than the previous hinted at. I like that there seems to be some buried rage that Rogen is hinting at, what with the last scene in the trailer, but perhaps that’s just me.

Another Green-something superhero film trailer is the one for The Green Lantern. I don’t think I’m the only fan here of Martin Campbell’s craftsmanship as a director, but even I’m wondering about the overabundance of cgi here. Even the suit? He looks like a sequined disco queen out of Studio 54. So this one gave me pause, despite the pedigree of many of those involved.

The teaser for Cowboys & Aliens is one of those that will divide people into two groups. Either you like it or you just wonder wtf that’s supposed to be. Since I’ve admitted that Wild, Wild West is one of my critical blind spots, you all know where I fall. I mean, it has Harrison Ford back in a saddle again, so I don’t know how not to love it. But I’ll admit that it didn’t exactly make my heart start racing. On the other hand, it is just a teaser.

Trailer for Abrazos Rotos

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This teaser of Pedro Almodóvar’s Los Abrazos Rotos (The Broken Embraces) makes me think that it may end up being one of the year’s best films. Composed of short scenes of Penelope Cruz embracing a variety of men in a variety of ways, the brightly colored wardrobe make it look like it could take place in the sixties, but feels modern. The title hints that there is something missing in these embraces, and behind there is a wall consisting of a collage of torn photos. One of my favorite trailers in a while.

Almodovar’s Hable Con Ella is in my opinion one of the best films of this decade, and though I wasn’t as much a fan of Volver and La Mala Educación, this film looks like it might be a truly fully realized work. It’s been talked about as a possible Cannes contender, but it will be released in Spain on the 18 of March.

Star Trek Trailer #1 Kinda Online

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The trailer for JJ Abrams’ Star Trek premieres in cinemas this weekend and online on Monday. But (as you’d expect) it’s leaked onto the internet via a decent quality bootleg on YouTube:

Even with a low resolution presentation, I’m very pleasantly surprised by what I see. Abrams has clearly upped the action and scale of things well beyond what previous installments have offered. I’ve never been a big fan of the franchise outside the theatrical entries (and found most of them lacking) but this is genuinely starting to excite me.

Trailer for Ridley Scott’s Body of Lies

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I read David Ignatius’ spy novel Body of Lies a month or so ago and thoroughly enjoyed it. I liked that it had an understatement to it, with a focus more on the people who run the espionage operations in the Middle East, how they are driven, than the usual bombastic running and gunning. It’s a story about values and principles, more than anything else. In the novel the plans are discussed thoroughly and things thought through down to the smallest minutiae, with still some allowance for the random chaos of life. It felt like it actually knew what it was talking about.

Going by the trailer, this has roughly been brushed aside. The violence pumped up and tripled. Plenty of scenes I am very sure were not in the novel. The antagonism between Roger Ferris (Leonardo DiCaprio) and Ed Hoffman (Russell Crowe) made a central point. It existed in the novel, but wasn’t played up like it is here. This might be good for the film, but I worry how many other things have been changed and how much by writer William Monahan (The Departed and upcoming The Chaser). The Jordanian intelligence chief, in the film to be played by Mark Strong, was one of my favorite fictional characters of recent years. Many of the scenes involving him I still savor weeks later. Yet I saw no glimpse of Mark Strong here. If they’ve denigrated him in favor of some more Crowe grandstanding it will be to the film’s detriment.

Of course, it’s just a trailer and some things might have been highlighted more than others for commercial reasons. This looks fun, but I was hoping for more of the intelligent points the novel made.

Trailer for Frank Miller’s Feature-Length Calvin Klein ‘Obession’ Commercial

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The co-Director of Sin City + The visual style of that film and Sky Captain and the World of Tomorrow + Lionsgate + Dick Tracy style characters + Tight-looking budget + ScarJo’s eye for quality + Samuel L. Jackson =

UPDATE: All copies of the trailer have been removed from YouTube.  You can still find a non-embedded version HERE.

No way, no how, not with a gun to my head.

RocknRolla trailer

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The trailer for the latest Guy Ritchie film, RocknRolla, is out “exclusively” over at Empire’s site. JS said in an earlier thread that he has trouble forgiving Peter Berg for Very Bad Things, well I have trouble forgiving Guy Ritchie for Revolver (I don’t even dare go near Swept Away). Worst piece of garbage I have ever seen. Seriously, I get ill just thinking about the film. I mean, Ray Liotta crying in speedos under neon lights. Yeah, the wastebasket is over there in the corner.

Still, this looks all right. It’s obviously Ritchie going back and doing a Lock, Stock… and Snatch carbon copy so he can get some kind of career back, and I’m fine with that. Those two were great fun. Besides it has Tom Wilkinson and Mark Strong in it, two of the best actors working today. This could be as bad as Revolver and I’d still be dutybound to see it because of that.

Gerard Butler in RocknRolla

Also, Ludacris is now known as Chris Bridges.