Opening in Las Vegas, November 6, 2015

Standard

James Bond and Charlie Brown. I don’t know how many times those names have been typed together in a sentence, but it’s at least once now, as they dominate this week’s openings.

Bond is back in Spectre (60), the 24th, depending on how you’re counting, Bond film. Getting mixed reviews, and seems a step down from the best Daniel Craig Bond films. Christoph Waltz is the villain. Apparenlty this will be Craig’s last turn as 007. Mike Scott: “Granted, there’s comfort to be found in the familiarity of Mendes’ film, which makes an effort to look back while also advancing the series. But there’s a fine line between paying homage to the past and merely repeating it…. Spectre often crosses that line.”

Good ol’ Charlie Brown is featured in The Peanuts Movie (67), which is the first feature-length Peanuts film in about forty years. It’s a little weird to see them in computer animation, but from what I’ve read there’s nothing radical about the story, and those that grew up with Peanuts will see the usual: Lucy and the football, the Red Baron, the Little Red-haired Girl, etc. I don’t know if kids today are as enamored with Peanuts as past generations were–I was a devoted reader of the comic strip when I was a kid, which tots of today don’t have. Mark Olsen: “The movie is pleasant and charming, but when making a big-screen adaptation of a beloved classic and genuine touchstone for generations, adequate doesn’t feel like quite enough.”

Suffragette (67) was on many radar screens for Oscar nominations, but apparently it’s just not that good. Starring a host of actresses, it’s about the fight for the women’s vote in England, and may suffer from too many good intentions and not enough quality. Peter Rainer: “Gavron’s conventional approach to the material compares unfavorably to the newsreels and stills of the actual suffragettes that close out the film. The harsh reality comes through in that footage in a way that the film as a whole only approaches in bits and pieces.”

Miss You Already (57) stars Drew Barrymore and Toni Collette as life-long friends. Seems suspiciously similar to Beaches. Tim Robey: “The film could have done with a richer sense of what Milly and Jess really see in each other. It’s as if Barrymore and Collette have been flung into this relationship unprepared, and must hustle to suggest there’s much of a history.”

About Jackrabbit Slim

Location: Vegas, Baby! I’m much older than the other whippersnappers here, a baby boomer. I tend to be more snobbish about film, disdaining a lot of the multiplex fare for “cinema.” My favorite films: Woody Allen’s oeuvre (up until about 1990), The Godfather, The Graduate, A Hard Day’s Night, Pulp Fiction. Politics: Well, George McGovern was my political hero. I’m also a prickly atheist. Occupation: Poised to be an English teacher in Las Vegas. For many years I was an editor at Penthouse Magazine. My role on this blog seems to be writing lots of reviews and being the resident Oscar maven.

One response »

  1. For a period at the end of the 1990s I thought Drew Barrymore had the potential to go up a level from being a likable, charismatic star to a major talent but it never really happened. There was an interesting recent interview with her where iirc she basically admitted that with her life being content (after a very difficult childhood) she’s happy to make the sort of moderate movies she churns out (as actor and producer) and said the only time she really pushed herself in a performance was in ‘Grey Gardens’.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s