Opening in Las Vegas, September 16, 2016

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A little something for everybody this week. Rom-com, horror, and some Oscar  bait.

The likely winner among new films at the box office is Blair Witch (45), described as a sequel  but perhaps more a remake of th 1999 hit, The Blair Witch Project. That earlier film divided audiences among those who said “nothing happens” and those that realize the directors were actually on to something new in the horror genre, which has since been done to death (the found footage genre). This film is not found footage, and it ignores the horrible Book of Shadows: Blair Witch 2 (which I somehow ended up seeing twice). I have an interest in this, but will probably wait for home media. Matt Singer: “Blair Witch does deliver the requisite shocks demanded of a horror movie for a multiplex audience, but maybe it’s time for filmmakers to stay out of these woods for a while — at least until there’s a new technology for the Blair Witch to mess with.”

As far as Bridget Jones’s Baby (60) goes, I saw the first one but not the second, despite how hard poor Renee Zellweger works to make this character interesting. I suppose some people will be interested to see her new face, or to see the old gag about not knowing who the father is, or see Colin Firth’s career somehow go from an Oscar to this, but I’ll skip it. Conor O’Donell: “In spite of its slightly excessive runtime and a handful of millennial-pandering beats, Bridget Jones’s Baby is brought to term by the buckets of undeniable charm and charisma present in its performances.”

Snowden (58) is Oliver Stone’s take on the whistleblower who is either a hero or a traitor, depending on your political stance. If you’ve seen Citizenfour it may not be necessary to see this, unless you want to know more about Snowden’s girlfriend or to see what tricks Stone has up his sleeve. Stone has had an erratic career, especially this century, but there’s usually something interesting going on. Gregory Ellwood: “As a piece of filmed entertainment Snowden is certainly a watchable endeavor, but Stone and screenwriter Kieran Fitzgerald’s script is often an odd mix of hero worship, conspiratorial thriller and cringe worthy dialogue.”

Complete Unknown (60) is a good name for this film, because it’s not often a movie that I’ve never heard of opens, especially one starring Rachel Weisz and Michael Shannon. I can’t quite figure out what it’s about from the summary, but it looks intriguing and the cast can’t miss. Lanre Bakare: “Unfortunately, with the big reveal having arrived in the first act, the film isn’t much more than an elongated debate that leaves you thinking: so what?”

About Jackrabbit Slim

Location: Vegas, Baby! I’m much older than the other whippersnappers here, a baby boomer. I tend to be more snobbish about film, disdaining a lot of the multiplex fare for “cinema.” My favorite films: Woody Allen’s oeuvre (up until about 1990), The Godfather, The Graduate, A Hard Day’s Night, Pulp Fiction. Politics: Well, George McGovern was my political hero. I’m also a prickly atheist. Occupation: Poised to be an English teacher in Las Vegas. For many years I was an editor at Penthouse Magazine. My role on this blog seems to be writing lots of reviews and being the resident Oscar maven.

2 responses »

  1. Blair Witch, Bridget Jones and Snowden all bombed.

    Weekend lessons:
    1) Don’t make a sequel a decade+ too late…particularly when no one liked your last entry.
    2) Blair Witch was one of the most successful indies of all time. If you’re planning on making a franchise out of it, try not to let the property rot for 16 years (or as long as your target audience has been alive)
    3) Don’t hand money to Oliver Stone.
    4) Joseph Gordon-Levitt is not a star.

  2. Re: Gordon-Levitt, that’s now 2 films in a year (also ‘The Walk’) where the film he’s in has probably felt unnecessary because an already acclaimed documentary on the same subject came out just a few years before.

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