A sub-section of 21st century cinema that fascinates me is the remake of a revered/classic film that is considered to be so insipid that a year or two after they’re made it’s as if they don’t exist and the original still thrives.
Below are six standout examples from this century. I haven’t seen any of these remakes so the comments below aren’t my views on it, just an assessment on what the general consensus was on them:
The Omen (2006) – The 1976 horror film was considered a classic of its time and remaking it 30 years on was an ambitious task. But it was backed by a smart marketing campaign which made explicit use of its opening date being 06/06/06. And it had a strong cast, with Mia Farrow in one of her rare post-Woody film roles being particularly noteworthy. But critics were disappointed (27% on RT) and despite it being a modest financial success it was completely unsuccessful in matching (let alone eclipsing) the memory of the original
Fame (2009) – In its capturing the spirit and liveliness of young aspiring New York artists, the original 1980 musical became a defining film of its era (and led to a successful TV series). A remake in 2009 seemed potentially rewarding and even had the curio value of TV’s Frasier & Lilith (Kelsey Grammer and Bebe Neuwirth) both playing prominent roles in the film. Alas, a bad sign was that it was rated PG which stood in contrast to the original film which was quite rough and brutal at times. And the general consensus was it was a bland and plastic remake which would be soon forgotten, which it was.
Fright Night (2011) – The 1985 vampire original had been a surprise popular and critical success. It seemed an odd choice for a remake as the original’s semi-spoof, self-aware, humourous style still made it seem fresh today. Was there an audience for a modern remake of a horror film that still felt modern? As it turned out, No. Despite decent reviews, the Fright Night remake barely made any money anywhere, not even finishing in the Top 5 in its opening weekend in America despite an aggressive marketing campaign.
Footloose (2011) – The 1984 original became a iconic film of its era thanks in no small part to its famous Kenny Loggins title track. In truth it’s a pretty silly film and a remake seemed like a good chance to improve on it, especially when it was helmed by Craig Brewer who’d had notable success with ‘Hustle & Flow’. Alas, despite generally positive reviews the public didn’t warm to it (as a check of the IMDB user reviews shows) and it made little impression. Perhaps people were too affectionate towards the original to accept a remake.
Poltergeist (2015) – For decades the debate over whether the 1982 Tobe Hooper horror film was in fact actually directed by Executive Producer Steven Spielberg has been a fascination for many. Indeed just a few weeks ago a crew member on the film stated that Spielberg in fact directed it.
One thing this recent batch of stories don’t have to mention; that they’re talking about the 1982 version and not the 2015 remake because that’s been forgotten already. Despite being produced by Sam Raimi and having talents like Sam Rockwell & Jared Harris appear in it, the film was critically panned and audiences probably would’ve cared more if it had actually been a documentary about answering the Hooper/Spielberg mystery.
Ben Hur (2016) – Probably the most foolhardy of this list, it was impossible to see how this could ever be a success. For one thing, remaking one of the most iconic Hollywood films of the 20th century is just asking for trouble. Especially when helmed by director Timur Bekmambetov who it’s fair to say doesn’t quite have the reputation of a William Wyler. Also, biblical/Roman epics were hardly box-office gold in 2010s cinema.
The biggest giveaway to this film’s impending doom is the YouTube trailer clip which actually has more dislikes than likes for it. One user observed it as ‘Fast And Furious A.D.’
And to the surprise of no one, the film was not only a critical disaster but a financial one as well as it searched for an audience that wasn’t there and was one of the biggest flops of its year. Amongst the plethora of bad decisions MGM has made in recent decades, this would be one of the worst.