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Review: life stinks (1991)

In his long and illustrious career, Mel Brooks’ 1991 film ‘Life Stinks’ is probably his least-own film. It was a financial and critical failure and upon rewatching it, it’s deserving of its fate. But it’s such an unusual film in Brooks’ oeuvre that it deserves closer analysis. The film centres on the character of Goddard […]

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Featured

Review: Talk Radio (1988)

In the late 1980s and early 1990s Oliver Stone was at the peak of his powers as a film director. Not just because many of his films obtained public and critical success (and numerous industry awards) but perhaps more importantly because every Stone film was an ‘event’ for film connoisseurs. Not every film of his […]

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Death blow to movie theaters?

It was already difficult to imagine the domestic exhibition business ever recovering from the events of 2020, but WB just made things infinitely worse with the announcement that studio will send their entire 2021 slate day-and-date to HBO MAX. We’ve already seen a number of titles going the streaming route, but this is something else […]

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review: the queen’s gambit

Even if you don’t know en passant from castling, I highly recommend Netflix’s The Queen’s Gambit, about a young woman with difficult circumstances striving to become the best chess player in the world. I know the rules of chess, but don’t know the fine points–i have no idea what moves constitute the Sicilian Defense–but though […]

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Random Thread for Nov-Dec 2020

Here in Melbourne we’re finally getting out of lockdown after being under it for effectively 5 of the past 6 months and it just made me think of whether future generations will be able to imagine what it’s been like to live through this pandemic; the ennui, the lack of activity, how days just merge […]

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In Memoriam: Sean Connery

The first James Bond movie I saw was Diamonds Are Forever. I was ten, and I was over the moon about it. I saw it twice. I was inspired to try to write my own spy novel, borrowing my dad’s typewriter. I wrote one page.Looking back, Diamonds Are Forever is somewhere in the middle of the quality of […]

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Review: The Trial Of The Chicago 7

I’ve been waiting for this film for a long time. It’s been gestating for years–at one time Steven Spielberg was going to do it. But it ended up in good hands–Aaron Sorkin, who wrote another trial film, A Few Good Men, and can stitch together dialogue like nobody’s business. This is his second directorial effort, […]

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Review: The China Syndrome (1979)

One of the enjoyable aspects of cinema isn’t just watching new films or revisiting old favourites but revisiting films every few years and taking new things from each viewing. James Bridges’ 1979 topical thriller ‘The China Syndrome’ is a film that I’ve enjoyed regularly over the years for its intelligence and genuine tension it provided. […]

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Review: Shampoo (1975)

Although set in the 1960s, specifically election night in 1968, Shampoo is a prime example of ’70s movie making, the era when the director and writer had more control than the studio, which allowed for fresh takes on society, rather than canned studio products. Written by Warren Beatty and Robert Towne, and directed by Hal Ashby, Shampoo was released in 1975, just […]

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REviEw: SE7En (1995)

This week marks the 25th anniversary of Seven (stylized as Se7en, a film that has been celebrated, especially by young film geeks. It was David Fincher’s second film, after Alien 3, and the cinematography by Darius Khondji is extremely dark, in dimly-lit rooms, at night, and rain. Ironically, the last scene, which has a devastating twist, is in […]

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Review: Tenet

If I thought Christopher Nolan’s films Inception and Interstellar were confusing, they are Mother Goose compared to his latest, Tenet. I had little idea what this film was about. It was like watching a foreign film without subtitles. That being said, the film can still be enjoyed for its action sequences and some excellent performances, particularly by Kenneth Branagh as […]

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review: the player (1992)

There’s a long history of Hollywood films about Hollywood, and they often evoke the dark side of the film business, from William Wellman’s A Star Is Born to Billy Wilder’s Sunset Boulevard. But I don’t know of any film as lacerating about the movie business, but also as funny, as Robert Altman’s 1992 film, The […]

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